Dangerous Woman: Emma Goldman

There's a great new graphic novel about Emma Goldman. It's called Dangerous Woman and it's by Sharon Rudahl I scanned a few of the pages and added a Howard Zinn talk about Emma and "The Night That Goldman Spoke At Union Square" from Ragtime as accompaniments
from the review:

Deploying the smack-'em-in-the-face descriptive style of Will Eisner for a graphic biography may not seem like the best idea. But when it comes to the life of famed anarchist Emma Goldman, Rudahl's punchy, exclamation point-heavy method feels just right to cover the crusader's life. Born in Russia in 1869 at a time when women, particularly Jewish women, were to be downtrodden and not heard, Goldman lost no time upsetting the status quo with her big mouth and restless curiosity. After following her sisters to America, the newly married Goldman was just starting to learn about leftist politics when she became radicalized by the 1886 Haymarket bombing in Chicago, leading to more than a half-century's worth of nearly nonstop protesting, fiery speechmaking and organizing across North America and Europe, and even a few passionate affairs. Rudahl's earnest admiration for Goldman and her refreshingly smart approach to the cause is clear in her excited artwork, all cramped frames and twirly action. The volume is well-suited for libraries because of its knowledgeable but shorthand approach to history, exemplified in a scene where Teddy Roosevelt holds a copy of Upton Sinclair's The Jungle and declares, I don't want fingers in my sausage!!! Hurry up and pass some food and drug laws!

Union Square: Part 4

The finale of the labor history play. The video was taken on the southern end of Union Square on 14th Street facing west.

Union Square: Part 3

Part 3 of the radio play with A May Day 2007 video as a visual along with following
1899-1903 Edison silent films:

The film shows a city thoroughfare lined with crowds of people watching a military parade. The first group to come into view is a marching band [Frame: 0120], then a large formation of soldiers in the uniform of Rough Riders [0720]. Following them is a hearse drawn by four black horses, escorted by veterans of the Civil War [2742], and horse-drawn open carriages. The camera position shifts and most of the paraders can be seen for a second time: the band [3692], the hearse [5610], and the Civil War veterans [6000]. Hiram Cronk, a veteran of the War of 1812, died at the age of 105. He was thought to be the last surviving veteran of that war.
The film shows a large group of people watching the approach of a color guard followed by a number of elderly marching firemen [Frame: 1734] pulling antique fire equipment [2486]. In the background is the white marble Washington Arch [0116], designed by Stanford White and completed in 1895 to commemorate the first inauguration of George Washington

Union Square: Part 2

Here as a backdrop I used silent films made by the Edison studios between 1899-1903
They are available from the library of congress web site
Descriptions:

Using time-lapse photography, the film shows the demolition of the famous Star Theatre. Judging from the various exposures, the work must have gone on for a period of approximately thirty days. The theater opened in 1861 as "Wallack's Theatre," and was re-christened the "Star" in 1883. It was well known for it's excellent productions, and a number of celebrated actors and actresses worked there, among them Ellen Terry. The celebrated English actor Henry Irving made his first stage appearance in America at the Star. Photographed in 1901. Location: Broadway and 13th Street, New York, N.Y.

The film shows members of "New York's Finest" parading at a crowded Union Square. There are members of the Bicycle Squad, mounted horses, and two regimental marching bands. At the time of filming, the New York City Police Department was still recovering from the corruption scandals of the early 1890's that had severely tarnished the reputation of the department. A State Senate appointed group known as the Lexow Committee investigated the department and issued a scathing report that detailed serious criminal activity within the department. In 1895, public opinion was so low that the annual parade wasn't held. That same year, Theodore Roosevelt was appointed president of the Police Board, and he is credited with initiating strict and effective reform measures that helped restore the public's confidence in the police.

From the Edison Company catalog: NEW YORK POLICE PARADE. Unbuilding [code for telegraphic orders]. An excellent view of "The Finest," on their annual parade and inspection, June 1, 1899. The head of the column is just turning into 14th Street from Broadway, the Morton House forming part of the background. Crowds line both sides of the cable car tracks, falling back as the band heading the first division swings around Dead Man's Curve and passes the camera. Chief Devery makes a fine showing, as also do his men, with their white gloves and helmets, shining buttons and spick and span appearance in general.

Union Square: Part 1

Here's part 1 of the union square based labor history play that takes place in the late 1800's. As a video backdrop I used a video made by a youtube user named y23232323jp who has made over 300 videos of people walking on various blocks around the world. I find them fascinating and I wonder how he disguised himself. It looks like the one above was shot on the southern border of Union Square on 14th Street off of University Place.

Union Square

Last week I was in Union Square and I noticed the informative sidewalk installations that ring the square. I photographed most of them and supplemented them with other union square historical images. To complement them for a movie, the images needed relevant audio I struck gold when I found a great online play about labor history on wbai's site. The above encompasses the play's introduction.

Marching to Union Square: A Labor Play by Dorothy Fennel
Radio show produced by Ken Nash and Mimi Rosenberg
Marching to Union Square is about the birth of the modern trade union movement in New York City. The script is based on historical material, including speeches and memoirs, from the first Labor Day parade—held on September 5, 1882—subsequent Labor Day parades, and the 1886 mayoral campaign of Henry George, labor's candidate. Much of the action takes place in Union Square, and evokes the loud and colorful labor marches that attracted huge numbers of spectators. For a brief time in the 1880s, NYC activists tries to organize an independent labor party that could unite people of diverse backgrounds around a uniquely working class political platform. There was no better place to do this than Union Square. To express this vision in words and music from that era, the actors in Marching to Union Square recreate some of the key moments that contributed so much to Union Square's reputation as labor's home, and as the place where working New Yorkers came to exercise their rights to free speech and assembly.
Actors: George Drance, Arthur French, Todd Griffin, Mary Neufeld
Musicians: George Mann (guitar), Ginette Van Der Voorn (keyboard)
Chorus: Members of the NYC Labor Chorus, directed by Ginette Van Der Voorn